5.1/7.Drag Clips to a Closed Bin in the Sidebar.Open I/O (Supports 3rd party video hardware).ScriptSync dropped from the trial version.AJA Video Systems Io Express hardware support.HD Ancillary data support on DX hardware.Avid Media Access (AMA) for better file based workflows.Video Satellite option for Pro Tools (Windows only).new render engine (better multi-threading and GPU support).Low-bandwidth HD compression rate for offline editing.Last version based on the Meridien hardware.Based on the Avid Broadcast Video Board (ABVB) hardware.Film Cutter (simplified version of Film Composer).Open Media Framework (OMF), introduced in April.True 24-frame capture, editing, and playback.Jeff Bernstein becomes second editor on the Avid.Serial #001 ships to Alan Miller Rebo Studios in June on a Mac IIx.Boris Continuum Complete - 2D and 3D graphics and effects (v8 monthly/annual subscription only).NewBlue Titler Pro - 2D and 3D video title software (v8 perpetual licenses bundled with v1, subscription licenses with v2).Avid DVD by Sonic - DVD and Blu-ray authoring software (Windows only no longer updated as of v8).SonicFire Pro 5 - music creation software (includes 2 CDs of music tracks).Sorenson Squeeze - Compression software to create, Windows Media, QuickTime, MPEG 1/2, MPEG 4 or Flash video (v8 monthly/annual subscription only).Avid FX - 2D & 3D compositing and titling software (aka Boris RED).Some boxed versions of Media Composer came with the following third party software: ScriptSync (with Nexidia phonetic indexing and sync) (reacquired as of 8.9.3).PhraseFind - analyses clips and indexes all dialog phonetically allowing text search of spoken words.5.1 and 7.1 Surround Sound audio mixing, compatible with Pro Tools.RTAS - (RealTime AudioSuite), support for realtime track-based audio plug-ins on the timeline.SmartTools - drag and drop style editing on timeline, can be selectively adjusted to the types of actions that the user wants to use when clicking on timeline.Mix and Match - put clips of any frame rate, compression, scan mode or video format on the same timeline.AMA - Avid Media Access, the ability to link to and edit with P2, XDCAM, R3D, QuickTime and AVCHD native material directly without capture or transcoding.Stereoscopic editing abilities (expanded in MC v6).Color Correction toolset (with Natural Match).SpectraMatte (high quality chroma keyer).Timewarps with motion estimation (FluidMotion).The Avid engineering team, however, managed to get 1,200 kBytes per second, which allowed them to do offline video on the Macs.Īvid Nitris DX: : rack mountable interface with various I/O Features Key features I'm being paid by Apple to come here and port your applications from Apollo to Macintosh.' He worked for us for several weeks, and actually taught us how to program the Macs.' At the time, Macs were not considered to be fast enough for video purposes. That afternoon, a consultant knocked on our door saying, 'Hi. Each computer was loaded with full memory (probably 4 megs at the time), and a full complement of Apple software (pre-Claris). Also there were four large multisync monitors. ![]() They were from Apple, and they contained two of their prototype Mac II machines (so early they didn't even have cases, just open chassis). When we got back to our office (actually a converted machine shop) after the show, there was a pile of FedEx packages on our doorstep. Wrong platform!' It turned out they were evangelists for the then new Mac II (with *six* slots!). Says Peters: 'Some Apple people saw that demo at the show and said, 'Nice demo. ![]() At some point, Avid demo'd one of their products at SIGGRAPH. According to Eric Peters, one of the company's founders, most prototypes of 'the Avid' were built on Apollo workstations.
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